O vos Omnes! Chapter 5 is a prayer that Zion's reproach may be taken away in the repentance and recovery of the people. Kraus argues that "the whole song stands so near the events that one feels everywhere as if the terrible pictures of the destruction stand still immediately before the eyes of the one lamenting.". The chastisement would only be for their good; a better day would dawn for them. O vos Omnes! Recodare! כְּאַלְמָנָה; רַבָּתִי בַגּוֹיִם, שָׂרָתִי בַּמְּדִינוֹת--הָיְתָה, In chapter 1 the prophet dwells on the manifold miseries oppressed by which the city sits as a solitary widow weeping sorely. לְאֹיְבִים. Ierusalem, Ierusalem, convertere ad Dominum Deum tuum. The third has sixty-six verses, in which each three successive verses begin with the same letter. Tallis's two settings happen to use successive verses, but the pieces are in fact independent even though performers generally sing both settings together. Chapter 4 laments the ruin and desolation that had come upon the city and temple, but traces it only to the people's sins. Many elements of the lament are borne out in the historical narrative in 2 Kings concerning the fall of Jerusalem: Jerusalem lying in ruins (Lamentations 2:2 and 2 Kings 25:9), enemies entering the city (Lamentations 4:12 and 2 Kings 24:11), people going into exile (Lamentations 1:3 and 2 Kings 24:14) and the sanctuary being plundered (Lamentations 1:10 and 2 Kings 24:13). מְנַחֵם, מִכָּל-אֹהֲבֶיהָ: כָּל-רֵעֶיהָ בָּגְדוּ בָהּ, הָיוּ לָהּ Qui transitis per viam, o vos omnes! Here begins the Lamentation of Jeremiah the Prophet. How like a widow has she become, she that was great among the nations! That cavern is still pointed out by tour guides. She weeps bitterly in the night, tears on her cheeks; among all her lovers she has none to comfort her; all her friends have dealt treacherously with her, and they have become her enemies. The book consists of five separate poems. The settings are of the first two lessons for Maundy Thursday. Scored for five voices (either one on a part or in a choral context), they show a sophisticated use of imitation, and are noted for their expressiveness. Atendite, atendite! In the Coptic Orthodox Church chapter three is chanted on the twelfth hour of the Good Friday service, that commemorates the burial of Jesus. Plorans ploravit in nocte, et lacrimæ ejus in maxillis ejus: non est qui consoletur eam, ex omnibus caris ejus; omnes amici ejus spreverunt eam, et facti sunt ei inimici. Chapter 3 speaks of hope for the people of God. Videte, videte, videte, videte! Ah Ah dolor, Recodare! It is said that Jeremiah retired to a cavern outside the Damascus gate, where he wrote this book. Ah Ah How lonely sits the city that was full of people! O vos Omnes! She that was a princess among the cities has become a vassal. 1:2 BETH. O vos omnes! The first, second, and fourth have each twenty-two verses, the number of the letters in the Hebrew alphabet. Recodare! Ah! Ah Ah Ah Ah Ah Ah Ah Ah Ah Ah O vos Omnes! Recodare domine oprobrium nostrum! Recodare domine oprobrium nostrum! Tallis's use of 'Heth' rather than the correct 'He' appears to have been an error, The concluding refrain: Ierusalem, Ierusalem, convertere ad Dominum Deum tuum ("Jerusalem, Jerusalem, return unto the Lord thy God") – thus emphasising the sombre and melancholy effect of the pieces. לָמַס. On the other hand, Babylon is never mentioned in Lamentations, though this could simply be to make the point that the judgment comes from God, and is a consequence of Judah disobeying Him. The Lyrics for Lamentations of Jeremiah by Z. Randall Stroope have been translated into 1 languages. Si est dolor, Recodare! Recodare! Quomodo sedet sola civitas plena populo! The work is probably based on the older Mesopotamian genre of the "city lament", of which the Lament for Ur is among the oldest and best-known. In the Septuagint and the Vulgate the Lamentations are placed directly after the Prophet. O vos omnes! The fifth is not acrostic, but also has twenty-two verses. In the Church of England, readings from Lamentations are used at Morning and Evening Prayer on the Monday and Tuesday of Holy Week, and at Evening Prayer on Good Friday. An elegiac poem, composed by the prophet on occasion of the destruction of Jerusalem by Nebuchadnezzar. Lamentations was probably composed soon after 586 BC. Si est dolor, dolor, sicut dolor! O vos Omnes! It is said that Jeremiah retired to a cavern outside the Damascus gate, where he wrote this book. 52). Thomas Tallis made two famous sets of the Lamentations. O vos Omnes! Si est dolor, dolor, sicut dolor meus! 2:9 TETH. Her gates have sunk into the ground; Readings, chantings, and choral settings, of the book of Lamentations, are used in the Christian religious service known as the Tenebrae (Latin for darkness). {ס}, Mortensemble members recorded on this track, Bill Heigen, alto, tenor 1, tenor 2 Qui transitis per viam, o vos omes! As many other composers do, Tallis also sets the following: The announcements: Incipit Lamentatio Ieremiae Prophetae ("The Lamentation of Jeremiah the Prophet begins") and De Lamentatione Ieremiae Prophetae ("From the Lamentation of Jeremiah the Prophet"), The Hebrew letters that headed each verse: Aleph, Beth for the first set; Gimel, Daleth, Heth for the second. As quoted by Scottish Presbyterian preacher, Matthew George Easton (1823-1894), at the "Wailing Wall" in the Old City of Jerusalem, "the Jews assemble every Friday afternoon to bewail the downfall of the holy city, kissing the stone wall and watering it with their tears. In chapter 2 these miseries are described in connection with national sins and acts of God. He hath builded against me; and compassed me with gall and travail. "In the face of a rocky hill, on the western side of the city, the local belief has placed 'the grotto of Jeremiah.' Jerusalem, Jerusalem, return unto the Lord thy God, Original Hebrew text (without introductions or conclusions), א אֵיכָה יָשְׁבָה בָדָד, הָעִיר רַבָּתִי עָם--הָיְתָה, Recodare, recodare, recodare, recodare, recodare, recodare! O vos Omnes! The Lord determined to lay in ruins the wall of the daughter of Zion; he marked it off by the line; he restrained not his hand from destroying; he caused rampart and wall to lament, they languish together. Recodare meus! Qui transitis per viam, o vos omnes! Most commentators see Lamentations as reflecting the period immediately following the destruction of Jerusalem in 586 BC, though Provan argues for an interpretation that is ahistorical. Ah Ah 2:8 HETH. 1:1 ALEPH. Atendite, atendite! Si est dolor, dolor, sicut dolor, meus! They repeat from their well-worn Hebrew Bibles and prayer-books the Lamentations of Jeremiah and suitable Psalms.". In the Septuagint and the Vulgate the Lamentations are placed directly after the Prophet. Enjoyed everywhere, The Lyrics for Lamentations of Jeremiah by Z. Randall Stroope have been translated into 1 languages. O vos omnes! Lamentations of Jeremiah. Composers have been free to use whatever verses they wish, since the liturgical role of the text is somewhat loose; this accounts for the wide variety of texts that appear in these pieces. The Book of Lamentations is recited annually on the Tisha b'Av, the anniversary of the destruction of both of the Jewish Temples as well as numerous other unfavorable days in Jewish history.

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